Un film di Mario Balsamo. Documentario, Ratings: Kids+13, durata 78 min. - Italia 2015. - Bim Distribuzione uscita giovedì 25 agosto 2016 Italia
La madre di Martio regista, in gioventù era un'attrice: recitò in piccoli ruoli e la sua parte più importante fu in La barriera della legge di Piero Costa, con Rossano Brazzi come protagonista. Dopo anni di tentativi, Mario decide finalmente di donarle il regalo più grande: ritrovare la pellicola del film, vederla insieme a lei e rimettere il nome di Silvana Stefanini nei titoli di testa.(my movies.it)
After the success of We're Nothing Like James Bond, its director Mario Balsamo turns to the themes of his autobiography, this time replacing the subject of friendship with that of family relations. So, what do a fifty-two-year-old son and an eighty-five-year-old mother make of an unresolved and conflictual relationship along with a mutual passion (cinema)? A film documentary. Especially if he is a director, she was an actress when she was young, and both have a yearning to appear on screen: with irony and surrealism, playing with reality and make-believe without avoiding the (universal) ties of a family relationship, where affection is hidden behind recriminations and much usurping. And all of this while the search is on for a film that the woman acted in sixty years ago, in fact: in which she had her most important role, but which, for inexplicable reasons, she has never wanted to see! Written by Balsamo Mario (imdb)
After the success of We're Nothing Like James Bond, its director Mario Balsamo turns to the themes of his autobiography, this time replacing the subject of friendship with that of family relations. So, what do a fifty-two-year-old son and an eighty-five-year-old mother make of an unresolved and conflictual relationship along with a mutual passion (cinema)? A film documentary. Especially if he is a director, she was an actress when she was young, and both have a yearning to appear on screen: with irony and surrealism, playing with reality and make-believe without avoiding the (universal) ties of a family relationship, where affection is hidden behind recriminations and much usurping. And all of this while the search is on for a film that the woman acted in sixty years ago, in fact: in which she had her most important role, but which, for inexplicable reasons, she has never wanted to see! Written by Balsamo Mario (imdb)
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